In this world, there are music people and non music people. Non music people might like music but can mostly take it or leave it. For music people, music is as much a part of daily life as food, water or even air for the most enthusiastic diehards. I consider myself one of the music people…in case you haven’t noticed by the amount I blog about it. For this reason, the soundtrack to New Moon was every bit as important to me as the movie itself. The Twilight Saga films are doing an excellent job of using music as an integral part of the films, as crucial to setting the mood as the sets and lighting and while New Moon is not yet out in theaters, the soundtrack has been out since mid October. I imagine there were many other musical TwiHards out there that couldn’t wait to immerse themselves in the new music and let’s be honest, obsess, over the various tracks’ part in the movie.
If you were lucky enough to catch a peek of the full Edward/Bella breakup scene before it was pulled, it was revealed that Bon Iver & St. Vincent’s “Rosyln” is the backing track for that wrenching scene but so far, no other clips have offered any more than snippets of the score. That is until I read Ann Donahue’s article in the 10/31/09 issue of Billboard magazine, “’New Moon’ Rising”.
In the article, Donahue offers several tempting, spoiler-ish morsels:
“In considering the second single “Two contenders for the next single slot are Lykke Li’s ‘Possiblilty,’ which is the longest musical take in the movie and played over a pivotal scene in the film as Bella pines for Edward…”
In reference to the New Moon score composer Alexandre Desplat’s “The Meadow” : “There is a central love theme for Bella and Edward, but Chris (Weitz) felt that we didn’t want to put that out front because in the film Bella and Edward are separated through much of it,” Desplat says. “You don’t hear that theme in its full treatment until the end of the movie. For the soundtrack album it’s an arrangement of that melody but just for the piano.”
Finally, from New Moon director Chris Weitz: “The one song that does play in full during the film, he says, is (Thom) Yorke’s “Hearing Damage,” which underscores a fight scene.
Spoiler or not, it makes me all the more eager to see how all the tracks correspond with scenes in the movie. Thankfully, I am just under a week away from seeing just that.
Showing posts with label Alexandre Desplat. Show all posts
Showing posts with label Alexandre Desplat. Show all posts
Friday, November 6, 2009
Wednesday, September 23, 2009
Do It Yourself Twilight
This post is mostly for my own laziness. Some person, far more industrious than I, figured out the exact order all the tracks from both the Twilight score and soundtrack fall in the movie, including the Radiohead track played in the closing scene that is not on the soundtrack. I have this as a playlist in my iTunes, so every time I've been asked for it, I've had to retype it. Putting it all in one location makes it easier on me, and fun for you.
You will need: Twilight Motion Picture Soundtrack (With Bonus Tracks), Twilight Motion Picture Score, and 99 cents to buy one Radiohead track off iTunes if you don't want the full album (even though it's great). The soundtrack tracks are denoted with (ST) and the score with (SC) because I love to code crap. And awaaaaaaaaay we go!
There you have it. I pray someone will do this for New Moon as well, this playlist has saved many a crabby morning commute.
PS, Carter Burwell did not score New Moon, the torch, like the directors, was passed to Alexandre Desplat, although some of Carter Burwell's material will be used. Twilight Examiner was kind enough to send me this info on Alexandre Desplat.
You will need: Twilight Motion Picture Soundtrack (With Bonus Tracks), Twilight Motion Picture Score, and 99 cents to buy one Radiohead track off iTunes if you don't want the full album (even though it's great). The soundtrack tracks are denoted with (ST) and the score with (SC) because I love to code crap. And awaaaaaaaaay we go!
How I Would Die – Carter Burwell (SC)
Full Moon – The Black Ghosts (ST)
Who Are They – Carter Burwell (SC)
Eyes On Fire – Blue Foundation (ST)
Phascination Phase – Carter Burwell (SC)
Tremble For My Beloved – Collective Soul (ST)
I Dreamt Of Edward – Carter Burwell (SC)
Treaty – Carter Burwell (SC)
I Caught Myself – Paramore (ST)
Humans Are Predators – Carter Burwell (SC)
Never Think – Robert Pattinson (ST)
I Know What You Are – Carter Burwell (SC)
The Skin Of A Killer – Carter Burwell (SC)
The Most Dangerous Predator – Carter Burwell (SC)
The Lion Fell In Love With The Lamb – Carter Burwell (SC)
Spotlight (Twilight Mix) – Mutemath (ST)
Complications – Carter Burwell (SC)
Dinner With His Family – Carter Burwell (ST)
La Traviata – The Royal Philharmonic Orchestra (ST Bonus Track)
I Would Be The Meal – Carter Burwell (SC)
Clair de Lune – The APM Orchestra (ST Bonus Track)
Bella’s Lullaby – Carter Burwell (SC & ST)
Supermassive Black Hole – Muse (ST)
Nomads – Carter Burwell (SC)
Stuck Here Like Mom – Carter Burwell (SC)
Bella Is Part Of The Family – Carter Burwell (SC)
Tracking – Carter Burwell (SC)
In Place Of Someone You Love – Carter Burwell (SC)
Showdown In The Ballet Studio – Carter Burwell (SC)
Let Me Sign – Robert Pattinson (ST Bonus Track)
Edward At Her Bed – Carter Burwell (SC)
Go All The Way (Into The Twilight) – Perry Farrell (ST)
Flightless Bird, American Mouth – Iron & Wine (ST)
15 Step – Radiohead (In Rainbows)
Leave Out All The Rest – Linkin Park (ST)
Decode – Paramore (ST)
There you have it. I pray someone will do this for New Moon as well, this playlist has saved many a crabby morning commute.
PS, Carter Burwell did not score New Moon, the torch, like the directors, was passed to Alexandre Desplat, although some of Carter Burwell's material will be used. Twilight Examiner was kind enough to send me this info on Alexandre Desplat.
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